FORMS IN CONTINUUM

Rooted in the spatial language of Ikebana, the work moves fluidly between analogue construction and digital reinterpretation. The photographed Ikebana arrangements become sites of reframing, where perspective, scale, and material presence shift in continuous dialogue.

My work has been shaped by the materials that surrounded me over three months at my artist residency in rural Japan / polycarbonate sheets, bamboo forests and the Kutsunugi-ishi stepping stones placed outside traditional Japanese homes. These stones, marking the threshold between outside and inside, became a way of honouring that sense of transition within my own process.